64 of 64 FILES

[00:00:00,000] Listen, we read this paragraph in here about these quotes "coronal discharges" that you
[00:00:08,560] guys were seeing and that completely stops us. Tell us how this came about and who talked
[00:00:16,820] to you about and what you saw.
[00:00:18,800] They recorded it on, or somebody recorded it on one of the earlier plays that some guy
[00:00:25,400] have like a letter to his paper or somewhere and he gives it to the enemy in the case of
[00:00:29,400] that two things, whether we hate that radio device which could be two charges for some
[00:00:34,920] places to play. And the other one where I thought he was like, "You know what, you
[00:00:39,200] don't like to stand there for it to be as planned as you want to face it, man. It's nice
[00:00:43,120] with your eyes, folks. But no, you know, it wasn't your eyes. Thanks for having me.
[00:00:46,840] They noticed that when they were away, they'd make the spacecraft look dark and they thought
[00:00:51,000] they were in the spacecraft. But whoever this guy wants to know, that's a personally known
[00:00:56,060] phenomenon. You can get this guy from the right, from gamma rays or something. So they
[00:01:02,040] had it once you think, "Would we hold our eyes and face to move?" You know, what we
[00:01:07,160] were orbiting is because it would be more, you'd get less discharges, faces to move
[00:01:12,120] them away from them. But, you know, that's the main way to do the moon or anywhere. The
[00:01:17,320] first night happening, and it gets, it gets, it gets, keep your eyes closed as you're
[00:01:22,320] awake down there and it's dark and you think about it. But it happens to be a good drag
[00:01:26,880] because you can sit down and it's one eye. It's the side of this drag, you can see it's
[00:01:30,860] both eyes. You can really do it with one eye or the other eye. And you can see what point
[00:01:35,480] it is. We had two times. I guess the part is, well, either it's right, the eyeball, perpendicular
[00:01:40,420] or the interior is parallel. And we could either a flag like that or we'd get a streak.
[00:01:47,960] And I knew the design of a baby on the bed or a tree. And I, for some reason, got a more
[00:01:55,200] with my last eyes. And my right eyes. I could tell which eye it was. And I was not too quick
[00:02:00,800] not to. I'm trying to tell the reason you did it because it, where he's left, was always
[00:02:05,840] out of that size of a space dress. And I got a whip on the cross. They're not all the
[00:02:11,840] light ones in my eyes. Yeah.
[00:02:14,840] Hey, my client over at the back of the line, I slipped out of my eye. They should have protected
[00:02:23,840] you, Dick. They should have all, they should have picked them all up.
[00:02:26,840] I'm trying to say, I'm trying to say it's because we were asked to specifically experiment with
[00:02:33,840] the other guys. I remember their conversation about it.
[00:02:51,840] They thought it was something, you know, penetrating the spacecraft. Right. What piece is right is the
[00:02:58,840] spacecraft that I'm at, all three of us don't feel the light. There's a flag out there.
[00:03:03,840] Or sometimes it'd be up on the street. And I saw them in both eyes either. I, I can't remember.
[00:03:10,840] It was one of the more predominant getting at it. But I agree with you, the problem is
[00:03:15,840] you're not seeing them in both eyes. It's not something external to you. There's something
[00:03:20,840] that's in terms of getting them started.
[00:03:22,840] I'm going to talk to you, Dick, why don't they know that?
[00:03:28,840] Well, we've been looking for cosmic rays, you know, cosmic ray strikes and heavy, heavy particles,
[00:03:35,840] heavy nuclei that go through. You know, we started a clear back in Mercury taking photographs
[00:03:40,840] of the retina to see if you could see streaks across the retina stuff. We never could
[00:03:44,840] find any in there. And so we stopped that up early in, well, by the end of the...
[00:03:51,840] Your eye is, what, a fan of the dealer on your body? And if it's doing anything, you're never going to see it.
[00:03:56,840] But if I can get a guy back earlier, I'm going to see it.
[00:03:58,840] I'm going to get photographs of right after a sparkle with the body.
[00:04:01,840] Well, probably what, what it's doing anyway, it's probably hitting just a single cell.
[00:04:05,840] And yeah, that's all it have to do, particularly make this flesh. You know, you hit a single cell.
[00:04:11,840] I saw one night, so I was looking at the MGC, a handrail, a couple bucks.
[00:04:16,840] And one right right left, I don't know whether it went here, you know, right, very long on a handrail.
[00:04:21,840] That's about that. That's this. And I just had to be looking at that.
[00:04:26,840] And I'm just going to almost see him as well. That's your eye where you just lie there.
[00:04:29,840] He's pulling your eyes. What if they don't want to be able to yell with my eye and he hasn't already seen it.
[00:04:35,840] You just believe it. It hurts.
[00:04:38,840] That's not the first night.
[00:04:40,840] And I know that now they're, hey, I'm continuing to bring a lot of information.
[00:04:45,840] They're going to want to be a hard guy. They've seen him and got plenty of information.
[00:04:50,840] They've just been able to make him wake up a night and say, "Well, I think I'll be able to close your eyes on those things and come about one minute."
[00:04:57,840] Let me ask you one more question about heart. Oh, here.
[00:05:06,840] Where's the random distribution of these two?
[00:05:10,840] Okay. Were these things random?
[00:05:18,840] Or did they all seem to be in one direction, like were they always horizontal or were they at random?
[00:05:23,840] They could be at any kind of angle.
[00:05:25,840] So the streets I saw were minus one, well, I saw a 4-1. I've got to say, that's just this thing, Mike.
[00:05:38,840] It seemed to be, I had the impression that they were always roughly in the same place in mind where the horizontal streets were always, but if I knew where I was looking, it'd always be like a horizontal street with a little bit above the center.
[00:05:46,840] And it always came to me and went from right to left, and I went right with it. The disc charges were more important than the center, and it would be different.
[00:05:58,840] It was just like a pin point of light when they closed again.
[00:06:02,840] Like somebody was flashing a light at you.
[00:06:06,840] That's right. It was not too big a light at you.
[00:06:10,840] It was a very small light. It was a good point.
[00:06:18,840] That's about the same for both of you? Is that the same reaction you had, Dick, and Hal, the way he described it?
[00:06:28,840] Yeah, I remember when he was about 30 degrees or so, I didn't know it was going from the right or left.
[00:06:42,840] That's pretty impressive. They seem to appear about the same place.
[00:06:49,840] They were generally opposed by those. It was generally fine. I don't know. I can't include any other. I can't remember.
[00:06:59,840] I just don't remember the idea of being down on the floor as part of the stadium.
[00:07:04,840] You see, Dick's telling you that this guy is open, and other things that he's centered on, the lights on the instrument panel.
[00:07:21,840] I used to notice that the lights down there didn't leave a bag of a pitch black down there in the hole.
[00:07:26,840] And either open up or fold them and wait if you're not there for a while, you can get one. And then I sit there for a while and say that there's a little left eye on the right.
[00:07:35,840] I think you'll always sort it out. But when you're out, we're not able to do it.
[00:07:40,840] Now you know what you do when you're supposed to be sleeping on it.
[00:07:43,840] Yeah.
[00:07:47,840] There was a comment that...

[00:00:00,000] After you, uh, very bright particles are fragmented, there's something that, uh, go drifting by as we've been over.
[00:00:08,000] I do understand.
[00:00:11,000] There's a whole bunch of big ones on my window there. It's just bright. Looks like the 4th of July out of Ron's window.
[00:00:24,500] Yeah, and they see some of them in shape. They're very, uh, jagged, angular, uh, fragments of their tumbling.
[00:00:30,500] Do they look like fluid or some certain?
[00:00:34,500] Not too many. They look like pieces or something now.
[00:00:38,500] Oh, Roger.
[00:00:40,500] They're very bright.
[00:00:42,500] Jack, we like comedy, Charlie.
[00:00:54,500] [sound of a machine running]
[00:01:24,500] [sound of a machine running]
[00:01:54,500] [sound of a machine running]
[00:02:10,500] Well, for the most part, these fragments are not, uh, they are tumbling at a very slow rate.
[00:02:19,500] I've tried a couple pictures of them, uh, different settings. You may get an idea of what, uh, leaves the patterns look like.
[00:02:25,500] Roger, I got you. We're all ears on these fragments. Do you think they can figure out what they might be?
[00:02:30,500] Well, you know, I don't know. I have a number of possibilities. If you had some kind of, uh, I got the impression maybe they were curved a little bit as if they might be, uh, off the side of the S4B. That's a wild guess.
[00:02:47,500] They are just, uh, much a good choice. I can't move possibly, and maybe there's paint coming off of it.
[00:02:52,500] Right, I noticed on one chip that the elevator last week, uh, one of the flags, uh, I thought it was an S2, but it might be an S4 look like we're stealing, maybe that's what you got.
[00:03:00,500] And the S4B maneuver is complete.
[00:03:08,500] Okay, well, so two o'clock. Okay, and the, um, maneuver complete. The fragment field is, uh, since we static, except for very slight tumbling within the fragments.
[00:03:17,500] Roger, cover that.
[00:03:20,500] Every once in a while, a fragment, uh, considerably higher velocity than the others goes, uh, across my window. But that's very rare.
[00:03:28,500] Roger.
[00:03:39,500] Okay, that's that, uh, field of view, I saw, um, I wouldn't back, you see it now.
[00:03:43,500] Yeah.
[00:03:45,500] And Bob, uh, at least there's no apparent relative motion between fragments.
[00:03:54,500] I didn't see it.
[00:03:57,500] I'll take, uh, two pictures about, uh, minute apart if I can, and it'll be frame 70.
[00:04:09,500] Okay, frame 70.
[00:04:11,500] And Bob, uh, his genome, my impression is that they are, uh, flat, flake-like particles, some, uh, maybe six inches across.
[00:04:22,500] And, uh, although there's no relative motion between it to, uh, most of them seem to be, uh, twinkling.
[00:04:31,500] And I think, for the most part, they're all moving away from us.

[00:00:00,000] I have the more of the white party coast in view below the capsule.
[00:00:09,000] They appear to be traveling exactly my speed. There is one drifting off.
[00:00:18,000] Uh, it's going faster than I am. It's a better thing.
[00:00:25,000] Roger, understand. I haven't seen the great numbers of these particles, but I've seen a few of them.
[00:00:34,000] Their motion is random. They look exactly like snowflakes to me.
[00:00:42,000] Roger, have you, uh, tried to return? Negative, let me, uh, get within scanner limits first.
[00:00:52,000] Say it. I must adjust my attitude, uh, to within scanner limits first. Roger.
[00:01:22,000] There were some more of those, uh, little party coast. They definitely look like snowflakes this time.
[00:01:38,000] Uh, Roger, I understand your pointing will look like definite snowflakes.
[00:01:44,000] Uh, however it's...
[00:01:46,000] Is that...
[00:01:47,000] Uh, Roger...

[00:00:00,000] And I'm going to get the brilliant blue of sun rising in the east.
[00:00:06,000] The bright blue band underneath all this haze layer.
[00:00:11,000] I can see the haze layer.
[00:00:15,000] And the bright band of light theme arcation coming underneath it.
[00:00:21,000] Quite distinctive.
[00:00:30,000] As a faint, good, is where there are clouds apparently.
[00:00:46,000] After a while, I face 7, ready and loud and clear.
[00:01:01,000] After a while, I face 7, ready and loud and clear.
[00:01:05,000] Roger, understand. Roger, I'm just small and forward, 180-degree approaching sun rise over.
[00:01:15,000] Roger.
[00:01:25,000] Small in and as the particles drift away from you, small in and forward, in a flight they appear brilliant white without being all in them.
[00:01:35,000] They appear to move on out, turn around, back to the flight path.
[00:01:41,000] Come in here, I don't think. Roger, you haven't seen the bacon at this time.
[00:01:46,000] Negative, I still haven't seen the bacon. Sure.
[00:01:54,000] There was considerable noise, though, that something were departing.
[00:01:58,000] Again, sir, there was considerable noise of the little doors, like those doors blowing open, so I assume the bacon has departed.
[00:02:06,000] Roger, understand.
[00:02:14,000] Hey, I'm Lux, real good on the ground. All right, Roger.
[00:02:44,000] Okay, you confirm TV control switch to off. Roger, TV control is off.
[00:02:51,000] Roger, TV control is off.
[00:03:06,000] We have a slight decrease in the pool links on the DC current, all we do go through.
[00:03:14,000] All right, you're DC current. Roger, main bus is 24.
[00:03:20,000] Roger, lady, 28.5. Roger.
[00:03:45,000] Hey, good. A girl is wired. Did you ever hear me?
[00:03:50,000] I'm not getting that yet. I'm planning to do shortly here, though.
[00:03:58,000] All right, your information systems last computations on fuel at Y, give you 88 auto 98 manual, which is somewhat better than you're indicating on board.
[00:04:13,000] Roger, on board, I'm indicating 9.6 and 1.0.2.
[00:04:34,000] Oh, boy, what a beautiful shot of Florida.
[00:04:40,000] Roger, let's get them here one more, too.
[00:04:43,000] Roger, the old state is clear. I can see just about off.
[00:04:49,000] There's been a beautiful view coming over Florida.
[00:05:18,000] There's been a beautiful view coming over Florida.
[00:05:43,000] There's been a beautiful view coming over Florida.
[00:05:55,000] There's been a beautiful view coming over Florida.
[00:06:24,000] There's been a beautiful view coming over Florida.
[00:06:52,000] There's been a beautiful view coming over Florida.
[00:07:02,000] There's been a beautiful view coming over Florida.
[00:07:21,000] It is below me. It's quite a brownish, reddish-brown, and a set of altitude above the ground.
[00:07:32,000] Got my fiery-pitched-down thruster. I get a shower of these little fireflies.
[00:07:39,000] It is a lot. It's quite bright, quite discernible.
[00:07:46,000] One, two, three, four, five, six, seven, right.
[00:07:53,000] Here's to be about ten to twelve miles away.
[00:08:00,000] I'm keeping it directly in the window.
[00:08:05,000] I have to order a second magnitude star now.

[00:00:00,000] and now I have one hour at this time I have one hour and 21 minutes and I am
[00:00:09,420] observing John's fireflies, lifting away from me, I can observe them
[00:00:24,400] sort of aided parting from the spacecraft and drifting out to the rear
[00:00:32,040] I can see some of them look at a set of old distance out to the rear
[00:00:48,420] just coming up behind me I'm going to get the glow on the cloud
[00:01:06,840] fireflies appear to be white, very whitish with almost a green like rail
[00:01:13,920] fireflies. [Music]
[00:01:43,880] clouds on the earth the lower changing color are getting quite light
[00:02:13,880] I am there on the day side, decided not yet quite out
[00:02:43,840] and I am observing stars, the earth is light below me, the sun is still behind me
[00:02:52,180] the sky looks dark above me and I can see stars very distinctly

[00:00:00,000] [Music]

[00:00:00,000] I have some pretty stars in sight, and also I have the little white objects that seem to come from the capsule itself, and drift off.
[00:00:16,000] And if they are a yaw check, it's fantastic. I suspect that the star, see, is up to us. It would be very interesting. It is neither.
[00:00:31,000] It is one of the white objects.
[00:00:36,000] So I have two stars that are studying quite still. The white object actually looked like it came toward me, but it wasn't.
[00:00:49,000] I can actually see the particle of that playing on it, and I have the chance to start it as a wave shaving. It's a very good description of it.
[00:01:03,000] My rates are now just about zero in all three axes.
[00:01:13,000] I still have white in the first open course. I'm looking straight up. And yet, at this point, Mr. G, that my object is, I get my couch here. I really can't pick it too well, y'all. Just about inverted at this point.
[00:01:41,000] And if my nose is above the horizon, as a result, I notice that these particles keep tending after me, relative to me, at any time.
[00:02:00,000] Periscope is blocking out another rapidly, and sunset is almost blocked out completely at this point, and is really not used to me.
[00:02:26,000] [sound of waves]
[00:02:56,000] [sound of waves]
[00:03:06,000] I'm getting a real burst of light in the window, and I really don't know what it is. This point, I should be coming up on a sunset, five hours and fifteen minutes.
[00:03:20,000] Periscope is dark. I must be just getting the last bucket in the horizon, getting back down on it.